Meeting Point 1
Participate in Symposia with guest speakers from around the world and various Presentation and Roundtable sessions hosted by YPAM registrants. The interactive exchange is boosted by Speed Networking, a favorite among TPAM participants that returns to YPAM this year.
Only YPAM registrants (professional) can participate.
Click here for more information on the Speed Networking application.
Date and Time
12.04 Wed 12:30 – 18:00
12.05 Thu 10:00 – 17:00
12.06 Fri 10:00 – 17:00
*No streaming.
Venue
- Forum Minamiota (Gender Equality Center Yokohama South)
- 1-7-20, Minamiota, Minami-ku, Yokohama
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Symposium 3F
17:00 – 18:00
YPAM Fringe SymposiumYPAM Fringe Symposium
Symposium
17:00 – 18:00The Director at Seoul Fringe Festival and the artistic director of C venues at the Edinburgh Fringe will introduce two fringe festivals and their characteristics. A must-attend symposium for YPAM Fringe participating artists and companies. A casual reception will follow the session for networking!
Language: English
Interpretation: Simultaneous interpretation
- Gyohee Baek Director, Seoul Fringe Network
- Hartley Kemp Artistic Director, C ARTS | C venues at the Edinburgh Fringe | C digital
- Moderator: Yukio Nitta YPAM Exchange
12:30 – 14:00
The Present and Future of International Festivals/Platforms with New Directors ①Collaboration in Asia/OceaniaThe Present and Future of International Festivals/Platforms with New Directors ①Collaboration in Asia/Oceania
Symposium
12:30 – 14:00Earlier this fiscal year, The Japan Arts Council launched the “Creator Support Fund” to support the international activities of Japanese creators and artists over the next several years. Several recipient organizations of this funding will give presentations on their ongoing projects at YPAM Exchange. Every year, YPAM is attended by professionals involved in international festivals in Japan and abroad, which could be the potential stages for the funded projects in the future. This year in particular, we have invited directors and curators newly appointed during and after the pandemic to hold a two-part symposium addressing major topics facing Asia/Oceania and Europe. A related symposium will also be held on December 5.
Language: Japanese and English
Interpretation: Simultaneous interpretation
- Ratri Anindyajati Director, Indonesian Dance Festival
- Kate Britton Artistic Director, Performance Space and Liveworks Festival Photo : JacquieManning
- Ophelia Jiadai Huang Director of International Projects, Shanghai Dramatic Arts Centre / Programme Director, ACT Shanghai Theatre Festival
- River Lin Curator, Taipei Arts Festival & ADAM photo by Taipei Performing Arts Center
- Moderator: Hiromi Maruoka President, Japan Center, Pacific Basin Arts Communication Director, Yokohama International Performing Arts Meeting
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Presentation A 2F
15:00 – 15:40
The Sagamihara stabbings and THE HUMAN CONDITIONThe Sagamihara stabbings and THE HUMAN CONDITION
Presentation A
15:00 – 15:40Our latest work, THE HUMAN CONDITION is introduced , which is part of this year's YPAM Fringe, and its subject matter, the Sagamihara stabbings. This incident occurred in 2016, in which 19 residents of a facility for people with intellectual disabilities in Kanagawa Prefecture were murdered under the claim that 'people with no production do not deserve to live.' It is explained what and how we thought and what insights we gained in the process of producing THE HUMAN CONDITION, and we will have discussion with participants.
Language: Japanese、English
Interpretation: Consecutive interpretation
- ZR
西山珠生
14:00 – 14:40
Introduction to Cultural development in Hong Kong & Artist Sharing by jazz artist Patrick LuiIntroduction to Cultural development in Hong Kong & Artist Sharing by jazz artist Patrick Lui
Presentation A
14:00 – 14:40FIRST HALF Arts in Concept, founded by veteran producer and curator Icy LAI in 2020, is a Hong Kong-based performing arts agency specializes in arts management and arts programme presentation locally and globally. It is dedicated to nurturing a vibrant arts community and igniting passion for the arts in youth and public, and fostering international arts and cultural exchange through presenting professional artists and arts programmes in Hong Kong and overseas. Experienced in arts curation, Icy LAI has served as a professional arts administrator in various arts organisations, including Hong Kong Arts Festival and French May Arts Festival. She currently sits on different arts committees including the Programme and Development Committee Art Form Sub-committee (Dance and Multi-Arts), East Kowloon Cultural Centre (EKCC) under Leisure and Cultural Services Department, offering professional advice to the government on arts programme strategies, plans and resource allocation. In the YPAM Exchange presentation, Icy LAI and Patrick LUI, a top jazz composer and pianist from Hong Kong, will share their insights on the current developments in Hong Kong arts scene and the government's initiatives to promote arts and culture. They will also discuss their experiences and perspectives on cultural exchange, and share their music and artistic practice with the audience. Patrick LUI is an internationally active jazz pianist who has showcased his talents at various prestigious occasions including JENerations Jazz Festival (USA), EUROPAfest, Takatsuki Jazz Street Jazz Festival, Kanazawa Street Jazz Festival, Taichung Jazz Festival, and Freespace Jazz Festival among others. Through their presentation, the audience will gain a deeper understanding of the cultural connections between Hong Kong and Japan, and the potential for future collaborations and partnerships. Hong Kong is home to a diverse range of arts and cultural institutions. It has a vibrant and dynamic performing arts scene that has been attracting attention both locally and internationally. In recent years, Hong Kong government actively promotes international cultural exchange to facilitate an East-meets-West Centre in Hong Kong. The inaugural Hong Kong Performing Arts Expo presented by Hong Kong Arts Development Council took place in October 2024 attracting participants from around the world to connect. Outbound cultural exchange is also highlighted by implementing various kinds of subsidy schemes to encourage arts practitioners to thrive and grow in the international scene. To expand the cultural network, FIRST HALF Arts in Concept will bring a collaborative jazz concert 'Hong Kong Cinema x Jazz' by Patrick LUI and Kyoto Jazz Composers Jazz Orchestra led by Tomomi TANIGUCHI to YPAM 2024. Patrick LUI and Tomomi TANIGUCHI have had multiple music collaborations, and their performances are well received by the audience, including their most recent collaboration at Freespace Jazz Fest 2024 in Hong Kong. We look forward to receiving you at the Concert and also sharing our insights on arts with you at the Presentation.
Language: English and Japanese
Interpretation: Consecutive interpretation
- Icy Lai Founder, FIRST HALF Concept, performing arts programme agency / Hong Kong Photo : Chan Hau Chun
- Patrick Lui Founder, Patrick Lui Jazz Orchestra, jazz artist / Hong Kong
16:00 – 16:40
Introducing a digital artist from Vietnam and a playwright from MalaysiaIntroducing a digital artist from Vietnam and a playwright from Malaysia
Presentation A
16:00 – 16:40This session introduces the works of a digital artist based in Vietnam and a playwright based in Malaysia, respectively. (i) Phuong Thien Vu, director of the Vietnam-based digital creators' collective Antiantiar that creates MV and PV, will introduce his creation, which has also attracted the Apple CEO Tim Cook. (ii) Adriana Nordin Manan, whose debut play, "Fault Lines," won the Boh Cameronian Arts Award for Best Original Script (2024) and gained attention in the Malaysian theatre industry, will introduce her work.
Language: English
Interpretation: Japanese consecutive interpretation
- Phuong Vu Photographer / Director, Antiantiart
- Adriana Nordin Manan Artistic Director, Cocoon Creative Lab Photo : SueAnne Koh
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Roundtable 2F
14:00 – 14:40
Asian Diaspora Theatre and the Connection to AsiaAsian Diaspora Theatre and the Connection to Asia
Roundtable
14:00 – 14:40Contemporary Asian Australian Performance (CAAP) is Australia's only performing arts company with a remit for producing, developing and enabling Asian Australian works and artists to reach main stages nationally. In Australia, CAAP is regarded as a crucial leader and catalyst in the ongoing shift to greater cultural diversity and inclusiveness in the arts. However, what do these groundbreaking works mean in relationship to Asia and what can be learned through making connections through language and culture? CAAP is keen to start a conversation with other artists, companies and presenters attending YPAM.
Language: Japanese and English
- Tessa Leong Artistic Director, Contemporary Asian Australian Performance / Syd, AUS
- Mayu Iwasaki Independent Artist / Syd, AUS & Japan
15:00 – 15:40
Introduction to Kyoto Experiment's curators & artist cultivation programIntroduction to Kyoto Experiment's curators & artist cultivation program
Roundtable
15:00 – 15:40In 2024 Kyoto Experiment has launched a cultivation program for curators and artists, supported by Agency for Cultural Affairs, Government of Japan l Japan Ares Council. In this round table two of the festival's co-directors introduce their new attempt to work with a younger generation of curators and artists mainly based in Kansai region.
Language: Japanese and English
- Yoko Kawasaki Co-director, Kyoto experiment photo by Takuya Matsumi
- Yuya Tsukahara Co-director, Kyoto experiment photo by Takuya Matsumi
photo by Takuya Matsumi
16:00 – 16:40
Fair - For whom? Who decides? …and How?Fair - For whom? Who decides? …and How?
Roundtable
16:00 – 16:40Fairness is important, but for whom? Who gets to decide what's fair, and how are these decisions made? This roundtable discussion, hosted by Norway-based Japanese dance artist Yohei Hamada and moderated by Norway-based independent creative producer Alexandros Vrettos, will explore the concept of fairness in the context of international, intercultural, and interdisciplinary creative work. Having faced challenges in creating fair working conditions within his own projects, Hamada invites others to join him in a nuanced conversation on fairness across cultural, national, and personal boundaries.
Language: English
- Yohei Hamada Photo : Shiho Furumaya
- Alexandros Vrettos
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Presentation B 2F
14:00 – 15:40
Introduction of “IN TRANSIT - A Performing arts Project spanning different cultures”Introduction of “IN TRANSIT - A Performing arts Project spanning different cultures”
Presentation B
14:00 – 15:40IN TRANSIT is a project for fostering leaders in the performing arts who aim for new international development, organized by precog co.,LTD. In addition to artists, the program comprehensively fosters human resources in the field of international creation and performing arts, including technicians, producers, and critics. In this meeting, artists and producers who are aiming for new international development together will present their respective activities for international development.
Language: Japanese
Interpretation: English consecutive interpretation
- Kumiko Ueda Playwright / Director ©️matron2023
- Kana Hayashi epresentative Partner, MUM&GYPSY LLC / Producer
- Jun Tsutsui/dracom Playwright / Director
- Yuta Hagiwara Playwright / Director
- Suguru Yamamoto Playwright / Director ©️雨宮透貴
- Momo Sakamoto Producer / Representative Partner, HANCHU-YUEI LLC
- Jang-Chi OLTA ©Takeshi Hyakutou
- Meguninja OLTA
- Tamiko Ouki Producer / precog co.,LTD.
16:00 – 16:40
ROHM Theatre Kyoto Repertory Premiere: 'Hopes' - Presentations by Fellow ArtistsROHM Theatre Kyoto Repertory Premiere: 'Hopes' - Presentations by Fellow Artists
Presentation B
16:00 – 16:40We are excited to introduce a new generation of young theatre makers from Kyoto and the wider Kansai region, in our new project ROHM Theatre Kyoto Repertory Premiere: 'Hopes'. From Kyoto to the world, these emerging artists are shaping the future of the local performing arts scene with their innovative approaches and fresh perspectives.
Language: Japanese
Interpretation: English consecutive interpretation
- Masato Nomura Director / RETRONYM photo by shimizu kana
- Yuya Nishida Playwright, Director / Gekidan Furosya photo by Shun Ujita
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Presentation C 3F
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Prensation@Studio 3F
16:00 – 16:40
Hitsudankai – From now/here, Silence (30 min trial version)Hitsudankai – From now/here, Silence (30 min trial version)
Prensation@Studio
16:00 – 16:40“Hitsudankai”, which can be performed anywhere with pens and paper, is improvisational and playful. It is the lightest, less-budget, and most agile participatory performance among orangcosong's projects. Sometimes held in open spaces to involve local people, and other times in a workshop format to foster deeper dialogue, this versatile activity has been held in various languages across different parts of the world. This time, following the 30-minute trial performance, we will share impressions and hold a Q&A session.
Language: Japanese and English
- Minori Sumiyoshiyama Artist, orangcosong / Japan
- Chikara Fujiwara Artist, orangcosong / Japan
Photo: Urban Gorillas
14:00 – 15:10
Sharing session of the joint exchange program to Singapore co-organized by The Japan Foundation and YPAMSharing session of the joint exchange program to Singapore co-organized by The Japan Foundation and YPAM
Prensation@Studio
14:00 – 15:10A sharing session on the newly launched Artist Exchange Program, co-organized by the Japan Foundation and YPAM, which started this year. This program targets young artists based in Japan to encourage them to work overseas in the future, such as in the southeast asia region, or to collaborate with artists in the region. In the program's first year, this sharing session will be held by Daniel Kok, the Singapore side partner of the program, and the five artists who visited Singapore.
Language: Japanese and English
- Daniel Kok Artistic Director, DANCE NUCLEUS
- Reiko Takayama Artist / Actor / Body Maintenance Exercise Instructor © Hideto Maezawa
- Sachi Masuda Dancer Photo by 山羊昇
- Yusuke Miya Dancer / Choreographer photo: T akuya Yamahata
- Kenta Yamazaki Critic / Performance maker Photo by Shoya fukunaga
- Kyle Yamada Playwright / Director / Dramaturg / Artistic Director and Representative, Allergen Theatre photo: Megumi Oku
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Speed Networking 2F
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Symposium 3F
10:30 – 12:00
Leading the Next-generation Performing Arts Professionals in Japan: Introducing the Training Program for International P...Leading the Next-generation Performing Arts Professionals in Japan: Introducing the Training Program for International Performing Arts Coordinators
Symposium
10:30 – 12:00The Japan Arts Council launched the Creator Support Fund to nurture the next-generation creators and artists and provide multi-year support to enhance cultural facilities, including public theaters and music halls, where these creators and artists create and present their work. With this funding, The Association of Public Theaters and Halls in Japan is working to foster professional coordinators who will promote Japan's outstanding performing arts productions overseas. This symposium includes an overview of the Creator Support Fund and its supporting projects, as well as a report on the overseas visit to the CINARS Biennale in Montreal, Canada this November which was made possible by the funding.
Organized by the Japan Arts Council / The Association of Public Theaters and Halls in Japan
(Supported by the Agency for Cultural Affairs, Government of Japan)Language: Japanese
Interpretation: Simultaneous interpretation
- Overview of the Creator Support Fund: Emi Watanabe Deputy Executive Director, The Japan Arts Council
- Report on the visit to CINARS Biennale 2024: Fumiko Ogiwara Production Division, Saitama Arts Theater
- Report on the visit to CINARS Biennale 2024: Tomoko konuma Producer
- Report on the visit to CINARS Biennale 2024: Hisako Yamaura Producer, La forêt
- Moderator: Masato Kishi Secretary General, The Association of Public Theaters and Halls in Japan
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Presentation A 2F
15:00 – 15:40
Hand Shadow play as a performing artHand Shadow play as a performing art
Presentation A
15:00 – 15:40This is an overview of "Hand Shadows ANDERSEN," a stage production by Shadow Play theatre Kakashiza, to be performed on December 7 and 8. The talk will also cover the characteristics, appeal, and new possibilities of performing with hand shadows, which the Kakashiza Theater Company has experienced through decades of research and development of hand shadows and the creation of stage productions using hand shadows.
Language: Japanese
Interpretation: English consecutive interpretation
- Kei Goto
13:00 – 13:40
KAAT, Creative Public Theatre's activities and International Collaboration with Vanishing Point, “Confessions...KAAT, Creative Public Theatre's activities and International Collaboration with Vanishing Point, “Confessions of a Shinagawa Monkey”
Presentation A
13:00 – 13:40KAAT Kanagawa Arts Theatre is one of Japan's leading creative public theatres. It produces drama, dance, and musical productions under the artistic director's direction and employs a number of productions, public relations, and technical professionals. Since its opening in 2011, we have produced many works with up-and-coming artists, and also focuses on human resource development and laboratory projects named 'KAIHATSU'. This presentation will introduce KAAT's activities, including ongoing international collaboration production with Vanishing Point, “Confessions of a Shinagawa Monkey”.
Language: Japanese and English
Interpretation: Consecutive interpretation
- Mahito HORIUCHI Kanagawa Arts Theatre / Executive Director
- Matthew Lenton Vanishing Point / 'Confessions of a Shinagawa Monkey' Conceived, Staged & Directed / Scotland
14:00 – 14:40
Concept Touring with Casson & Friends: Touring Without the MileageConcept Touring with Casson & Friends: Touring Without the Mileage
Presentation A
14:00 – 14:40YPAM attendees will explore 'concept touring' through Casson & Friend Friends' interactive productions, The Dance WE Made and ARCADE. The session will highlight the benefts of international collaboration with minimal travel, examining recent work in Hong Kong with West Kowloon Cultural District, Unlock Dancing Plaza, and the British Council. Founded in 2012, Casson & Friends is a UK-based dance theatre company known for creating joyful, accessible work, that has broken world records and been presented in over 10 countries.
Language: English and Japanese
Interpretation: Japanese consecutive interpretation
- Tim Casson Artistic Director, Casson & Friends Photo : Alisa Boanta
The Dance WE Made - Winnie Yeung@Visual Voices; Courtesy of West Kowloon Cultural District
16:00 – 16:40
Working Together with DaBY: Introducing Artists and ProductionsWorking Together with DaBY: Introducing Artists and Productions
Presentation A
16:00 – 16:40Aichi Prefectural Art Theater and Dance Base Yokohama (DaBY) have established a collaborative agreement since 2020 and have produced over ten dance pieces through joint productions. Eri Karatsu, the artistic director from DaBY and Aichi Prefectural Art Theater, will introduce artists who are currently gaining attention in Japan and are a part of Creator Training Program by the Agency for Cultural Affairs along with their past productions. If you are interested in the contemporary dance scene in Japan and wish to invite works or exchange with artists, please join us!
Language: English
- Eri Karatsu Photo : Takayuki Abe
- Ryu Suzuki Photo : Takayuki Abe
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Roundtable 2F
13:00 – 13:40
Déraciné Rhizome - Art practitioners living away from their homesDéraciné Rhizome - Art practitioners living away from their homes
Roundtable
13:00 – 13:40In 2024, the art-collective orangcosong visited Japanese art practitioners who have lived in Europe for a long time, and interviewed about their activities, lives, mobilities, and sense of belonging. For the next step, we would like to interview various people without the framework of being 'in Europe' or 'Japanese', and create an archive of the memories of art practitioners who are living far from their homes. At this meeting, we, orangcosong, will talk about what we are thinking at the moment: the purpose, the method of representation, and the future development of this research activity. Grant: The Interdisciplinary Research Center for Performing Arts at Kyoto University of the Arts
Language: English
- Chikara Fujiwara Artist, orangcosong / Japan
- Minori Sumiyoshiyama Artist, orangcosong / Japan
10:30 – 12:10
Exchange or Kōryū - the future of international theatre exchangesExchange or Kōryū - the future of international theatre exchanges
Roundtable
10:30 – 12:10In times of wars, cost of living crisis and climate change, what is the future of international theatre exchanges? These exchanges have historically been initiated by individual artists, groups, or festivals around shared themes, often creating an imbalance between the inviter and the invitee. How can we make curatorial practices more transparent? How can foreign and domestic contexts be integrated into these exchanges and explained to local communities? Following the year-long Japan-Britain Contemporary Theatre Exchange (2023–2024) in Lancaster and Salford, we will discuss these issues with participating artists and researchers.
Language: Japanese and English
- Yudai Kamisato Playwright/ Director
- Yuta Hagiwara Director, Kamome Machine
- Takuya Takemoto Independent Performance Artist Photo : Okamuro Sayuri
- Yurika Kuremiya Art Coordinator/Dramaturg / Dance Critic Photo : Okamoto Chihiro
- Beri Juraic PhD Candidate, Lancaster University, UK/ Co-organiser of Japan-Britain Contemporary Theatre Exchange
15:00 – 15:40
Local communities and the relationship between contemporary dance and traditional theatre -Practices in Laos and Cambodi...Local communities and the relationship between contemporary dance and traditional theatre -Practices in Laos and Cambodia
Roundtable
15:00 – 15:40This session will introduce how the Lao dance company and the Cambodian NGO have built relationships with local communities through contemporary dance and traditional theatre. We would like to discuss the possibilities and challenges of such approaches, with participants sharing their own experiences of such projects that are being practised in various regions.
Language: English
Interpretation: Japanese interpretation support
- Ounla Phaoudom Owner and Director, Fanglao Studio Sole Co., Ltd.
- Sopheak Soung Founder and Director, Khmer Art Action
16:00 – 16:40
Independent festivals, platforms -Practices in the Philippines and ThailandIndependent festivals, platforms -Practices in the Philippines and Thailand
Roundtable
16:00 – 16:40This session will introduce independent festivals and platforms in the Philippines and Thailand, and share the hopes and challenges they have encountered through their practices. Based on this, discussions will be held on the future of independent festivals and platforms from various perspectives, including artists, audiences and organisers.
Language: English
Interpretation: Japanese interpretation support
- Marco Viaña Festival Co-Director, The Virgin Labfest / Associate Artistic Director, Tanghalang Pilipino photo by Paw Castillo
- Thongchai Pimapunsri Festival Producer, H0m0Haus / Director, PainKiller
- Varissara Borkird (Jar) Executive Director, Bangkok International Performing Arts Meeting (BIPAM) / Project Manager, Bangkok International Children's Theatre Festival (BICT)
14:00 – 14:40
Programme for the support of dance artists in public theatres (The Liaison Council of Theatres and Halls in Japan, Dance...Programme for the support of dance artists in public theatres (The Liaison Council of Theatres and Halls in Japan, Dance Working Group)
Roundtable
14:00 – 14:40Currently, the career development of contemporary dance creators in Japan primarily relies on independent activities by respective artists. Programs at public theaters to support such choreographers and dancers are limited in number, and largely depends on the artistic policies of each theater. This prompts us to discuss how public theaters could help promote Japanese contemporary dance as a rich cultural form.
Language: Japanese
- Sachiko Ukegawa Associate Director, Production Department, Saitama Arts Theater
- Yukako Ogura Programme Director, ROHM Theatre Kyoto
- Shinji Ono Director, Yokohama Red Brick Warehouse No.1
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Presentation B 2F
16:00 – 16:40
Introduction of StarMachineProject : About the work "1001"Introduction of StarMachineProject : About the work "1001"
Presentation B
16:00 – 16:40We will introduce the up coming work of StarMachineProject '1001' StarMachineProject is a project which creates works collaborating with actors, motion graphic creators, artists and engineers. We aim to create performances which ruminate the phenomenon occurs in the space by incorporating physicality into the technology. We have created performances that links the imaginary world to the reality. These performances include a multiscreen theatre performance, a theatre performance that takes place simultaneously in the real world and in the virtual world, an AR sound performance to enjoy walking around and a multiple personality performance of audio AI using headphones.
Language: Japanese and English
- Masanori Akahoshi
- Kiyotaka Yoshimitsu
- Hiroto Sakai
- Tomoe Nishimura
13:00 – 13:40
Ancient Kingdoms for Global StorytellingAncient Kingdoms for Global Storytelling
Presentation B
13:00 – 13:40GYTR.art A platform initiative by Indonesian artist : mhyajo; act as a form of social responsibility that dedicate its actions in preserve (Indonesian) Cultural Heritage in performing arts medium, from local to International. With its slogan "telling history as nurture to (mother) earth" – GYTR.art invite the world to observe and understand how societies acquitted by questioning of "how we are what we are now" to design better future to the earth that fulfill with kind-heartedness beings. its prototype 'THE MAJAPAHIT TRILOGY' : Gayatri & Gitarja has been awarded "Best Runner Up Productions Asian Arts Award Edinburgh Festival' (2024) "OnComm 2022 Finalist: Live Stream Category Offies UK (Off West End Theatre Awards)" (2022) 'Highly Commended Asian Art Awards Edinburgh Festival Fringe' (2021) we are ready to do a collaboration in producing GYTR.art in anykind of form to spread Asian Storytelling globally.
Language: English
Interpretation: Japanese consecutive interpretation
- mhyajo Photo : mr.axtri
14:00 – 14:40
Introducing arts knot - creating ‘knots’ between people in the arts across borders, cultures and genresIntroducing arts knot - creating ‘knots’ between people in the arts across borders, cultures and genres
Presentation B
14:00 – 14:40arts knot is a team of 4 arts managers with many years of experience in international collaborations in the arts. As arts management professionals with an understanding of the arts and internationality, the team aims to create 'knots' betw
een people in the arts across borders, cultures and genres. In this presentation, arts knot members will present some of the activities they have been involved in, including international collaborations, inviting artists to arts festivals and subtitling.Language: Japanese and English
- Sachiko Nishio ©️Seita Hirota
- Nao Miyauchi
- Shoko Sonoda ©️Seita Hirota
15:00 – 15:40
Word and Words – Collaboration between writer/artist and musician/performerWord and Words – Collaboration between writer/artist and musician/performer
Presentation B
15:00 – 15:40Share the concept behind <言 word>: This performance installation is exploring playfully the many meanings of 'word': it is writing, it is sound, it is texture, and a tactile experience. By navigating through the installation space the audience will be guided in a sensory experience in which 'word' is the common denominator.
Language: English
Interpretation: Japanese consecutive interpretation
- Shen Xingzhou writer, artist, performer
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Presentation C 3F
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Prensation@Studio 3F
13:00 – 13:40
"See a Porous Stone" Presentation + US/UK/Germany tour report"See a Porous Stone" Presentation + US/UK/Germany tour report
Prensation@Studio
13:00 – 13:40What does it mean to have a person in front of you? How do we 'see' the space in front of us? Through subtle movements and sensations, Takuya Takemoto's performance questions what it means for a person to stand in front of a person in performance. In this November, his performance was presented in New York(US), Lancaster and Manchester(UK), Düsseldorf and Hamburg (Germany). In this meeting, Takemoto will be presenting part of the performance "See a Porous Stone" which was presented in the tour, and following will be reporting the tour. https://takuyatakemoto.com/tour-2024
Language: Japanese and English
- Takuya Takemoto photo by Sayuri Murooka
photo by Hideto Maezawa
15:00 – 15:40
KAPPA - A collaborative dance project between Japan and the UKKAPPA - A collaborative dance project between Japan and the UK
Prensation@Studio
15:00 – 15:40“KAPPA” is a collaborative dance project between the UK and Japan, which explores the duality of East and West, past and present, imagination and reality, and all in between. The project brings together artists from both countries to create a dance piece and film. The work will be created through residencies in both countries. It is currently supported by Scottish Dance Theatre and Balletboyz (UK), who will be documenting the project. We are looking for partners and collaborators who would be interested in supporting the project through residency, performance and funding opportunities.
Language: Japanese and English
- Kai Tomioka Choreographer / Dancer / Producer, Key + / Japan & UK taken by Jack Thomson
- Nozomi Abe Project Manager / Translator / Japan & UK taken by Michael Poc
taken by Jack Thomson
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Speed Networking 2F
10:00 – 11:00
Speed Networking 1Speed Networking 1
Speed Networking
10:00 – 11:0010-minute one-on-one meetings by appointment with festival directors and producers who come to YPAM, where participants efficiently prepare documents and promote their productions and projects. 20 hosts from 11 countries and regions will be there. Please make use of the program not only for trading but also for networking.
Click here for more information on the application.
- Grzegorz Reske Artistic Director, SPRING Performing Arts Festival / Utrecht (The Netherlands) Photo by AnnavanKooij
- Amaya Jeyarajah Dent Acting Artistic Director, LIFT, London's international festival of theatre
- River Lin Curator, Taipei Arts Festival & ADAM Photo by Taipei Performing Arts Center
- Gwen Hsin-Yi Chang Co-Artistic Director, Tanztriennale / Germany Photo by Blink Blink Studio
- Minako Naito General Producer of Performing Arts, Tokyo Metropolitan Theatre
11:00 – 12:00
Speed Networking 2Speed Networking 2
Speed Networking
11:00 – 12:0010-minute one-on-one meetings by appointment with festival directors and producers who come to YPAM, where participants efficiently prepare documents and promote their productions and projects. 20 hosts from 11 countries and regions will be there. Please make use of the program not only for trading but also for networking.
Click here for more information on the application.
- Aya Soejima Performing Arts Advisor
- Shinji Ono Shinji OnoDirector, Yokohama Red Brick Warehouse No.1
- Dominique Martin International relations, NID New Italian Dance Platform
- Donna Dang International Interaction & PR Manager, Ansan Street Arts Festival
- Kate Britton Artistic Director, Performance Space and Liveworks Festival
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Symposium 3F
10:30 – 12:00
The Present and Future of International Festivals/Platforms with New Directors ②Awareness of Issues in EuropeThe Present and Future of International Festivals/Platforms with New Directors ②Awareness of Issues in Europe
Symposium
10:30 – 12:00Earlier this fiscal year, The Japan Arts Council launched the “Creator Support Fund” to support the international activities of Japanese creators and artists over the next several years. Several recipient organizations of this funding will give presentations on their ongoing projects at YPAM Exchange. Every year, YPAM is attended by professionals involved in international festivals in Japan and abroad, which could be the potential stages for the funded projects in the future. This year in particular, we have invited directors and curators newly appointed during and after the pandemic to hold a two-part symposium addressing major topics facing Asia/Oceania and Europe. A related symposium will also be held on December 5.
Decentering Western-centrism has become a major topic in both the East and West. Festival directors who will lead the next generation are invited to discuss the awareness of the issues in Europe and their perspectives on Asia.
Language: Japanese and English
Interpretation: Simultaneous interpretation
- Gwen Hsin-Yi Chang Co-Artistic Director, Tanztriennale / Germany Photo: Blink Blink Studio
- Amaya Jeyarajah Dent Acting Artistic Director, [LIFT] London’s international festival of theatre
- Daniel Kok Artistic Director, DANCE NUCLEUS
- Grzegorz Reske Artistic Director, SPRING Performing Arts Festival / Utrecht (The Netherlands) photo AnnavanKooij
- Moderator: Hiromi Maruoka President, Japan Center, Pacific Basin Arts Communication Director, Yokohama International Performing Arts Meeting
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Presentation A 2F
14:00 – 14:40
Cluster Arts and International PathwaysCluster Arts and International Pathways
Presentation A
14:00 – 14:40In our presentation and meeting, we will introduce Cluster Arts Global, an Australian-based producing company specialising in contemporary circus, and highlight our current projects and collaborative opportunities. Additionally, we'll outline our International Pathways Program designed to support artists aiming to bring their work to the global stage. This program provides guidance and support on presenting at open-access festivals while maximising visibility and value, ensuring artists reach their full potential internationally.
Language: English
Interpretation: Japanese consecutive interpretation
- Emma Serjeant Producer, Cluster Arts
13:00 – 13:40
Presentation of "Mirai Circus Network", Japanese Contemporary Circus NetworkPresentation of "Mirai Circus Network", Japanese Contemporary Circus Network
Presentation A
13:00 – 13:40We will explain the official launch of the Mirai Circus Network in 2024 and its future prospects, as well as the Japanese Contemporary Circus Showcase, which will start this year.
Language: Japanese and English
Interpretation: English consecutive interpretation
- Yoko Ono International Circus Village Association / Mirai Circus Network Founding member
- Yuko Okumura Koen Project / Mirai Circus Network Founding member
- Atsumi Sakai Circus Laboratory Coucou / Mirai Circus Network Founding member
- Michiko Tanaka Setouchi Circus Factory / Mirai Circus Network Founding member, Secretariat
- Asami Yasumoto Kansai Aerial / Mirai Circus Network Founding member
日本現代サーカスネットワークVol.2「出風」
16:00 – 16:40
SOIL by Japan Performing Arts Solidarity NetworkSOIL by Japan Performing Arts Solidarity Network
Presentation A
16:00 – 16:40The Japan Performing Arts Solidarity Network (JPASN) is a leading Japanese theater industry association, bringing together over 250 member organizations, ranging from public theater venues to major commercial theater companies. We are thrilled to introduce the SOIL Project—'Stages for Originality, Innovation, and Leadership'—an initiative dedicated to exploring strategies and possibilities for advancing Japan's performing arts culture on an international stage. The primary language of the project will be English.
Language: Japanese and English
- Yoshifumi Nomura Executive director of Soil Project By JPASN
15:00 – 15:40
About world theater companyAbout world theater company
Presentation A
15:00 – 15:40The World Theatre Company is a performing arts group based in Japan. We primarily create works in the field of theatre and conduct domestic tours. We specialize in physical expression. In this presentation, we will introduce the activities of the World Theatre Company and showcase our past works. We will also present three pieces that we are considering for future performances abroad, as well as provide an explanation and introduction to our current work, "The Replication," which is being staged at YPAM.
Language: Japanese and English
Interpretation: Consecutive interpretation
- Yukako Honbou Photo : 青山浩一
田所正臣
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Roundtable 2F
14:00 – 14:40
Methods and possibilities for international exchangeMethods and possibilities for international exchange
Roundtable
14:00 – 14:40What is needed in terms of content and quality for a production to be performed overseas? Also, what strategies would be effective?
Language: Japanese
Interpretation: English consecutive interpretation
- Hideki Nagai TokyoTambourine Producer
- Hiroko Takai TokyoTambourine Writer Director
13:00 – 13:40
Future-oriented thinking on the theatre and festival scene of the futureFuture-oriented thinking on the theatre and festival scene of the future
Roundtable
13:00 – 13:40A round-table discussion with producers in their 20s and 30s who are active in theatres and festivals in various locations in Japan. In an age of uncertainty due to global risks such as war, the rise of AI (artificial intelligence) and climate change, how will the next generation of producers face up to these challenges and continue their creative activities while envisioning the future? We will discuss the present and future of theatres and festivals from the perspective of performing arts producers who connect artists and arts organisations with audiences.
Language: Japanese
- Natsumi Kato Producer / Coordinator / Producer, Toyooka Theater Festival (c)Nishi Junnosuke
- Kensuke Seto Cameron Dramaturg / Ogimachi Museum Cube
- Hirohiko Hanzawa Tokyo Festival Executive Committee Office
15:00 – 16:40
Exploring new relationships between local public theatres and artistsExploring new relationships between local public theatres and artists
Roundtable
15:00 – 16:40SPAC, Shizuoka Performing Arts Center has been creating performing arts works and conducting a wide range of outreach activities, based in theater facilities and residency facilities in Shizuoka Prefecture. From the conventional relationship of completed works and audience, we are exploring ways in which artists and residents can meet and co-create during the creative process. We would like to make a discussion which artists can think about new ways of communicating with the local community and local public theatre.
Language: Japanese and English
Interpretation: English consecutive interpretation
- Yoko Narushima SPAC, Shizuoka Performing Arts Center
- Natsuki Ishigami Theatre-maker (C)Masashi Kuroha
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Presentation B 2F
15:00 – 15:40
European Capital of Culture 2029 Lublin RE:UNIONEuropean Capital of Culture 2029 Lublin RE:UNION
Presentation B
15:00 – 15:40Discover Lublin's bid for European Capital of Culture 2029. We will share how the city's application was shaped. Presenting our program we will focus on three key themes: Community, Habitat, and Borders, showcasing projects that highlight cultural diversity, inclusivity, and cross-border collaboration. The Lublin 2029 RE:UNION concept engages both local and international audiences, with 40% of the program still open. Additionally, we will discuss fostering long-term partnerships beyond Europe for sustainability and growth.
Language: English
- Maciej Rukasz Communication and Marketing Manager, ECoC Lublin 2029 RE:UNION
- Marta Ryczkowska Programme Curator, ECoC Lublin 2029 RE:UNION
Marcin Pietrusza
16:00 – 16:40
TOKYO METROPOLITAN THEATRETOKYO METROPOLITAN THEATRE
Presentation B
16:00 – 16:40Tokyo Metropolitan Theatre opened in 1990. With four theaters, the venue has organized various programs, including international initiatives. In April 2026, Toshiki Okada (Performing Arts Division) and Kazuki Yamada (Music Division) will be the new artistic directors. We introduce the history of Tokyo Metropolitan Theatre, the Tokyo Festival, the TACT Festival, other programs, and perspective for the theater.
Language: Japanese
Interpretation: English consecutive interpretation
- Junko Suzuki Vice Director, Tokyo Metropolitan Theatre
- Minako Naito General Producer of Performing Arts, Tokyo Metropolitan Theatre
- Naomi Yoshida Chief of Performing Arts Team, Tokyo Metropolitan Theatre
- Takuya Tsuji Chief for Planning Section, Tokyo Metropolitan Theatre
14:00 – 14:40
"Moon Night Circus" - From Paralympics Legacy to Inclusive Creation with Medical Team"Moon Night Circus" - From Paralympics Legacy to Inclusive Creation with Medical Team
Presentation B
14:00 – 14:40“Moon Night Circus (MNC)” was founded by Keisuke Kanai, a circus artist based in Matsumoto City, Nagano Prefecture, who choreographed the circus part of the opening ceremony of the Tokyo 2020 Paralympics and performed. In 2023, the MNC developed into a stage production involving a cast of citizens with diverse disabilities, ages, and backgrounds, including children with severe disease, which was achieved through full collaboration with the medical team. From this year, the scope of activities is expanding to other prefectures. We will introduce the possibility of our unique and inclusive stage production that involves medical professionals in the creative process.
Language: Japanese and English
- Emiko Karakawa Art Coordinator, Hotch no Lodge Ⓒ清水朝子
- Keisuke Kanai Director, Juggling de Shinshu / Circus Artist ⒸMitsushi Yanaihara
矢萩篤志
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Presentation C 3F
13:00 – 14:40
Performing Arts Programs of Aichi Triennale 2025Performing Arts Programs of Aichi Triennale 2025
Presentation C
13:00 – 14:40The Aichi Triennale is one of Japan's premier international art festivals, held every three years since 2010. The 6th Aichi Triennale in 2025 will be held for 79 days from September 13th (Sat.) to November 30th (Sun.), 2025 in Aichi Arts Center, Aichi Prefectural Ceramic Museum and Seto City. Under the direction of Hoor Al Qasimi (President and Director of the Sharjah Art Foundation; President, International Biennial Association) as Artistic Director and the theme 'A Time Between Ashes and Roses,' the festival presents contemporary art, performing arts, learning programs inviting Japanese and international artists. Nakamura Akane, the curator of Performing Arts for Aichi Triennale 2025, together with some of the participating artists, will share an overview and highlights of the performing arts program including the concept of new productions.
Language: Japanese
Interpretation: English consecutive interpretation
- Nakamura Akane Curator, Aichi Triennale 2025 / Performing Arts Producer / Representative Director, precog
- Direction: Chinen Akane Representative, AKN PROJECT / Music Performer
- Arakaki Nana Representative, Theatre unit Tatara / Director
- Dramaturge: Hayashi Tatsuki Naha Cultural Arts Theater NAHArt Program Director/ Dramaturge
- Set Design: Sasaki Ayami FAIFAI / Scenographer
- Kim Manri Artistic Director, TAIHEN
- Mayunkiki Artist
Copyright © 2024 Daisuke Igarashi All Rights Reserved.
15:00 – 15:40
“Establishing An Inclusive Platform that Empowers Artists with Diverse Abilities and Networking Opportunities in A...“Establishing An Inclusive Platform that Empowers Artists with Diverse Abilities and Networking Opportunities in Asia” Presented by No Limits, Hong Kong
Presentation C
15:00 – 15:40The project director and senior producer of No Limits in Hong Kong will share their experience in this topic and explore the dual impact of innovation and inclusivity from the aspects of creative arts; demonstrating how these elements enhance the Asian landscape to be more diverse, resilient, and sustainable. Moreover, the meeting will also explore the possibility to build up an Asian Network for future collaboration and exchange ideas to enhance the impact of inclusivity on the community.
Language: English
- Eddy Zee Project Director-No Limits
- Frieda Ng Senior Producer-No Limits
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Prensation@Studio 3F
15:00 – 15:40
Truly, be an actor and a violinist.Truly, be an actor and a violinist.
Prensation@Studio
15:00 – 15:40Yui Okamoto and Ayako Kato are a cross-genre performance unit. In this presentation, they will explore the state in which actor and violinist/theater (performing arts) and music are truly equal by reviewing their past performances and performances with demonstrations.
Language: Japanese and English
- Yui Okamoto Actor
- Ayako Kato Violinist
13:00 – 13:40
Demonstration of live artwork that erases the border between music gig and dance performanceDemonstration of live artwork that erases the border between music gig and dance performance
Prensation@Studio
13:00 – 13:40Part of the live artwork "(NO W)AVE" (premiered in January 2024), a live artwork that easily transcends the categories of art, will be demonstrated. The sound produced by the movements of performer wearing wireless devices will be sampled in real-time and turned into music. The performer will add additional movements based on the music. In other words, the performer is both a dancer and a musician playing musical instruments at the same time.
Language: Japanese and English
Interpretation: English consecutive interpretation
- Yuzo ishiyama A.P.I. photo: Yohta Kataoka
photo: Yohta Kataoka
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Speed Networking 2F
10:00 – 11:00
Speed Networking 3Speed Networking 3
Speed Networking
10:00 – 11:0010-minute one-on-one meetings by appointment with festival directors and producers who come to YPAM, where participants efficiently prepare documents and promote their productions and projects. 20 hosts from 11 countries and regions will be there. Please make use of the program not only for trading but also for networking.
Click here for more information on the application.
- Yukako Ogura Program director, ROHM Theatre Kyoto Photo by Kenta Yamaji
- Yoko Kawasaki Co-Director, Kyoto Experiment photo Takuya Matsumi
- Yoko Yamaguchi Director, Shimokitazawa International Puppet Festival
- Stéphane Noel
- Ratri Anindyajati Director, Indonesian Dance Festival
11:00 – 12:00
Speed Networking 4Speed Networking 4
Speed Networking
11:00 – 12:0010-minute one-on-one meetings by appointment with festival directors and producers who come to YPAM, where participants efficiently prepare documents and promote their productions and projects. 20 hosts from 11 countries and regions will be there. Please make use of the program not only for trading but also for networking.
Click here for more information on the application.
- Eri Karatsu Managing Director and Artistic Director of Aichi Prefectural Art Theater / Artistic Director, Dance Base Yokohama Photo (C)Takayuki Abe
- Yoko Narushima SPAC, Shizuoka Performing Arts Center
- Yuichiro Yoshida Program Director, Kinosaki International Arts Center photo by bozzo
- Varissara Borkird (Jar) Executive Director, Bangkok International Performing Arts Meeting (BIPAM) / Project Manager, Bangkok International Children's Theatre Festival (BICT)
- Hartley Kemp Artistic Director, C ARTS | C venues at the Edinburgh Fringe | C digital